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Formats and Editions
1. Idomeneo, Re Di Creta, K. 366: S'io Non Moro A Questi Accenti
2. Martha: Teure Lady! - Von Den Edlen Kavalieren
3. Lakmé: Viens, Mallika - Sous Le Dôme Épais
4. Lucia Di Lammermoor: Regnava Nel Silenzio
5. Ariadne Auf Naxos, Op. 60, Trv 228a: Sie Hält Ihn Für Den Todesgott
6. Le Nozze Di Figaro, K. 492: Aprite, Presto, Aprite
7. Il Crociato In Egitto: Il Tenero Affetto
8. Le Nozze Di Figaro, K. 492: Voi Che Sapete
9. Norma: Deh! Con Te, Con Te Li Prendi
10. Tancredi: Fiero Incontro! - Lasciami Non T'ascolto
11. Anna Bolena: Sul Suo Capo Aggravi Un Dio
More Info:
The history of musical theatre can be written in many ways. One of them is a perspective of duos, which often constitutes nodal moments in the work's drama. A duo brings either a combination of two elements into one harmonious whole or a collision of opposing forces; as we know, the opposites passionately attract one another. Such a story is sung by two great artists: Katarzyna Oles-Blacha and Monika Korybalska. The soprano and mezzosoprano are in a particular relationship that arises between a master, academic teacher and a young student of vocal art. The perfect agreement between the vocalists can be heard in each episode of the musical performance, which fluently switches between dramatic and funny moods.